In the late 1960s, young cineastes shook up a moribund film industry by delivering idiosyncratic, startlingly original work. The moment became known as New Hollywood.
When film historians look back at the 95th Academy Awards, they may mark it as the start of a new New Hollywood. Voters honored A24’s head-twisting, sex toy-brandishing, TikTok-era “Everything Everywhere All at Once” with the Oscar for best picture — along with six other awards — while naming Netflix’s German-language war epic “All Quiet on the Western Front” the winner in four categories, including best international film.
The Daniels, the young filmmaking duo behind the racially diverse “Everything Everywhere All at Once,” won Oscars for their original screenplay and directing. (The Daniels is an oh-so-cool sobriquet for Daniel Kwan and Daniel Scheinert. They are both 35.) The film, which received a field-leading 11 nominations, also won Oscars for film editing, best actress and best supporting actor and actress, with Michelle Yeoh, Ke Huy Quan and Jamie Lee Curtis honored for their performances.
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“Nyonya, jangan biarkan siapa pun memberi tahu Anda bahwa Anda pernah melewati masa jaya Anda,” kata Yeoh, 60 tahun, saat menerima penghargaan aktris terbaik Oscar. "Jangan pernah menyerah." Dia adalah wanita Asia pertama yang menerima penghargaan tersebut.
Kemenangan Quan memberikan Academy Awards kisah comeback hall-of-fame: Setelah kesuksesan awal dalam film seperti "The Goonies" dan "Indiana Jones and the Temple of Doom," karier aktingnya tumbuh begitu dingin sehingga dia beralih ke pekerjaan pemeran pengganti. “Mimpi adalah sesuatu yang harus Anda percayai,” kata Quan saat air mata mengalir di wajahnya dan peserta A-list memberinya tepuk tangan meriah. “Aku hampir menyerah pada milikku. Kepada semua orang di luar sana, tolong pertahankan impian Anda tetap hidup.”
